Edinburgh International Festival director Nicola Benedetti conceives of her 2024 programme as a series of “rituals that unite us”. Scottish Opera’s production of Igor Stravinsky and Jean Cocteau’s ...
The National Museum of Scotland proved itself to be a fine venue for this performance in many ways. Its vast expanse of space allowed for much milling around the orchestra, which was in the centre, ...
Adam Larsen has a most interesting job, although not one that’s easy to define. Trained as a cinematographer, currently he goes by the more nebulous "creative director," which more or less means ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results