Natalie Hegert on the real-life women who inspired some of the 19th century’s most enduringly popular art — set to star in July auctions. Dante Gabriel Rossetti, Lady Lilith, 1867, watercolor ...
Ophelia by John Everett Millais (Photo by The Print Collector/Getty Images) Two-and-a-half centuries after William Shakespeare’s Hamlet came to the stage, the tragic-romantic figure of Ophelia ...
The handful of British artists who called themselves the Pre-Raphaelite Brotherhood were “a radical yet backward-looking” bunch, said Jeffry Cudlin in the Washington City Paper. The movement’s major ...
Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...
Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...
Century old paintings never before seen in public go on show at one of Britain's biggest ever Pre-Raphaelite exhibitions opening in Liverpool on Friday. Curator, Christopher Newall, an international ...
LONDON — In 2019, museums ostensibly wrote women back into art history. In London we saw Dora Maar (Tate Britain), Lee Krasner (Barbican), and Dorothea Tanning (Tate Modern) all step out from behind ...
The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...
There she is in Order of the Release, 1853 (pictured right), posing as the wife of an imprisoned Jacobite Highlander. I like to imagine this brilliant composition as a reflection of her marriage.
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