As mystifying as his 2004 sci-fier, "Primer," albeit for entirely different reasons, Shane Carruth's "Upstream Color" is a stimulating and hypnotic piece of experimental filmmaking. “Primer” fans and ...

“Upstream Color” is as enigmatic as filmmaking gets — not in a casual way, but determinedly, even willfully. Being completely understood at first glance is not on creator Shane Carruth’s agenda, but ...

Amy Seimetz plays Kris, a successful creative. One night she's kidnapped, seemingly at random, and force-fed a specially selected grub. Upon ingestion she becomes blindly obliging and, some time later ...

Bold, impassioned, ecstatically beautiful, Shane Carruth’s Upstream Color — a lyric reverie on loss, love, and various invasions of the body — was in a class by itself at the 2013 Sundance Film ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Given that yesterday’s post occasioned some discussion about spoilers, a brief preamble to my review of Shane Carruth’s Upstream Color (A): If you want to preserve the experience of seeing the film ...

The Museum of Modern Art and the Film Society of Lincoln Center have jointly announced seven official selections for the 2013 New Directors/New Films Festival (ND/NF), which runs March 20–31, 2013.